Why Colleges Are an Independent Musician's Goldmine
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It i generally undertood by mot people, whether or not they work in the radio indutry, that commercial radio tation, one-on-one, till carry the mot litener in the terretrial broadcat world. Thi i veru non commercial, public, and college
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If you have been to a shopping ma on, at east, one occasion, you know the tremendous crowds that most of them attract daiy. Hundreds, and even thousands, of daiy shoppers fock to the argest shopping mas. And, whie most mas have
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Oh, I know the last part of the title (Suck) isn't a very pleasant description to apply to anyone's CD cover. But, in the interest of plain old honesty, and to face our demons head on, I wanted to (again) utilize a worst case scenario that we can only
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Record pools...ever heard of them? The chance is that you have not. And, there is an equal reason that you have not. And, even though major record labels have used them for years, and continue to use record pools extensively, record pools are one of the
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Most musicians, independent or major, understand that the college market is one of their prime markets, if not their leading market for radio airplay and media coverage. In contrast, however, most musicians do not seem to take complete
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For the self-promotng ndependent artst, the dea of takng on a rado promoton campagn can, n tself, become overwhelmng. But, ths dea s usually based on such artsts attemptng to obtan worldwde arplay on a local budget. And,
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There are few things more satisfying than having a ready market, client, customer or buyer strongly interested in your business, product or service. But, in order to get that interest, your business, product or service must not only be
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In my experiences, most independent musicians do very little, if anything, in the interest of generating advance exposure for their upcoming new music releases. This is, most likely, due to not having a strong enough budget in most
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Here are several questions for you to ponder: * How much would it be worth to you to learn how to promote your CD at gigs you never even play, but create a large number of sales from these gigs just the same? * While these
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So, let's say that you have successfully managed to get a few radio stations playing your music. What's your next step? Are you simply waiting on the charts to come in each week in order to learn if your single is moving up (or
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